10 Most of the Hated Movie Clichés That Annoy Moviegoers

Movies are a universally loved form of entertainment, transporting viewers to different worlds and allowing them to escape reality for a brief period of time. With so many movies being released each year, however, it’s no surprise that certain clichés have become more common on the big screen. This article will explore some of the most hated movie clichés and why they continue to irrationally anger moviegoers.

1. The Wilhelm Scream

The Wilhelm Scream is a sound effect that’s been used in countless movies and TV shows since the 1950s. It’s a high-pitched scream that was originally recorded for the 1951 film “Distant Drums,” and it’s been used in everything from “Star Wars” to “The Lord of the Rings.” While it might have been amusing the first few times, it’s become so overused that it’s lost all its comedic value. Now, when viewers hear it, they’re more likely to roll their eyes than laugh.

2. The Magical Computer Expert

In many action movies and thrillers, there’s always one character who’s able to hack into any computer system in a matter of seconds. They can break into secure government databases, decrypt encrypted files, and even take control of traffic lights with ease. This cliche is frustrating for anyone who knows anything about computers, as it’s highly unrealistic. In reality, hacking into a system takes time, skill, and a lot of trial and error.

3. The Lame One-Liner

We’ve all seen it: the hero has just defeated the bad guy, and they deliver a cheesy one-liner that’s supposed to be witty and memorable. While these lines might have been cool at one point, they’ve been overused to the point of being cringe-worthy. Viewers would much rather see a character react realistically to the situation than spout off some ridiculous catchphrase.

4. The Unnecessary Love Story

In many movies, there’s a romantic subplot that feels forced and unnecessary. The hero and the love interest have no chemistry, but they end up together anyway because it’s expected. This cliche is particularly frustrating because it takes away from the main plot and feels like a cheap way to add drama. Viewers would much rather see a movie that focuses on the story and the characters’ development than one that shoehorns in a pointless love story.

5. The Convenient Coincidence

In some movies, the plot relies on a convenient coincidence to move forward. For example, the hero just happens to find a crucial piece of evidence lying on the ground, or they run into the one person who can help them solve the case. This cliche is frustrating because it feels lazy and contrived. Viewers want to see a story that’s well thought-out and doesn’t rely on chance to tie up loose ends.

6. The Obvious Plot Twist

In some movies, the plot twist is so obvious that viewers can see it coming from a mile away. For example, the “surprise” reveal that the hero’s friend was actually the villain all along. This cliche is frustrating because it’s lazy storytelling. Instead of building tension and suspense, it feels like the filmmakers are just going through the motions. Viewers would much rather see a plot twist that’s unexpected and takes them by surprise.

7. The Overused Training Montage

Training montages have been a staple of sports movies for decades. However, over time, they have become incredibly predictable and formulaic. From “Rocky” to “Karate Kid,” these montages show the protagonist undergoing rigorous training to become a better athlete. While they can be inspiring, they have become so overused that they have lost their impact. Viewers would much rather see a creative and original approach to character development.

8. The Damsel in Distress

The damsel in distress trope is a classic one that has been around since the earliest days of cinema. It involves a female character who is in peril and needs to be rescued by the male hero. While this trope might have worked in the past, it feels outdated and sexist in modern times. Viewers would much rather see a female character who can hold her own and doesn’t need to be saved by a man.

9. The Evil Foreigner

For years, Hollywood has perpetuated the stereotype of the evil foreigner, particularly in action movies and thrillers. From Russian spies to Middle Eastern terrorists, these movies often portray non-American characters as villains. This cliche is frustrating because it reinforces negative stereotypes and promotes xenophobia. Viewers would much rather see a diverse range of characters that reflect the world we live in.

10. The Predictable Character Arc

In many movies, the protagonist undergoes a predictable character arc. They start off flawed and selfish, but through a series of trials and tribulations, they become a better person. While this might be a classic storytelling device, it has become so overused that it feels cliched. Viewers would much rather see a character who is already well-developed and doesn’t need to go through a predictable arc to become likable.

This article was produced and syndicated by The Cents of Money.

Source: Reddit.

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